A wildlife documentary shows a fox entering a garden, followed by a close-up of a damaged bird feeder. Viewers may take the second image as the result of the first event. Yet the feeder was filmed several days earlier, after a storm. What, then, links the two images? In this case it is the edit, not an observed causal sequence. This does not mean that the fox could never damage a feeder. It means that this particular sequence cannot serve as evidence that it did so. Visual coherence can create a persuasive explanation even when the underlying recordings do not establish it.